I've always been drawn to the sometimes chaotic scenes in nature. Complex and layered scenes which become an abstraction when viewed more intimately than the larger surrounding landscape. I'm not even sure if they would be called landscapes, since these images remove the sense of location. With landscape photography, I've found that many people feel compelled to ask "where is that?" while with these images location is somewhat irrelevant. Images like these are subtle yet extremely complex.
Photographing scenes like these can be a daunting task. How does one make sense of a scene which is heavily overgrown and seemingly missing an obvious composition? And when you do find a composition that works for your eye, how do you make a final print which will convey the scene as you saw it in your mind's eye?
I had begun to figure out how to make sense of these scenes in black and white, and now with my new color work I am learning the complexities which come with the range of color and subtleties. I prefer overcast flat light or foggy days when photographing these scenes because the contrast of hard sunlight doesn't fit the mood or vision I have for these scenes. In creating a final print which fits my vision, I draw my my extensive knowledge of custom printing in the traditional wet darkroom.
This series will be ongoing, yet I hope to exhibit a portion of the work in 2018. Prints will also be available from my other site, www.jimsincockphotography.com